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Manuales de Cine de Cambridge

Esta serie se adentra en películas individuales, ofreciendo un análisis exhaustivo desde diversos puntos de vista teóricos, críticos y contextuales. Cada volumen proporciona valiosos antecedentes y una visión sobre la importancia cinematográfica, artística, cultural y sociopolítica de películas específicas. Ensayos de destacados académicos y críticos de cine se complementan con filmografías y bibliografías seleccionadas para una mayor exploración.

Alfred Hitchcock's Rear Window
Roberto Rossellini's Rome Open City
The Coen Brothers' Fargo
Francis Ford Coppola's The Godfather Trilogy

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  • Among the most elaborate examples of crime film, the films in The Godfather trilogy provide a complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is reexamined from a variety of... číst celé

    Francis Ford Coppola's The Godfather Trilogy
  • This volume explores Fargo from a variety of methodological perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it explores issues and themes that are important to current film discourse, including genre, gender and sexuality, race, history, culture and myth. schovat popis

    The Coen Brothers' Fargo
  • Offering a fresh examination of Rear Window, this volume explores the film from multiple perspectives, delving into its themes, character dynamics, and cinematic techniques. It invites readers to consider the narrative's complexities and its impact on the thriller genre, while also analyzing its cultural significance and the psychological implications of voyeurism presented in the story. This comprehensive analysis enriches the understanding of the film's artistry and its enduring relevance in cinema history.

    Alfred Hitchcock's Rear Window